“Woven Magic: The ‘Secret Speech’ of Interactive Textiles.” Enchantment of Textiles Catalogue (2020).
“Animating the Kinetic Trace: Kate Bush, Hatsune Miku, and Digital Dance.” PUBLIC, Vol. 60: Biometrics (2020): 187-207.
“Posthuman Dance: Body Heat and Haptic Intimacy in ORA.” Culture Machine, Vol. 17: Thermal Objects
(Spring 2019): 1-15.
“Not a Girl Dancing”: Gender, Spectacle and Disembodiment in the Work of Loie Fuller and Freya Olafson.” Archée (4 March 2019)
“Body of My Own”: the Digital Feminine in Mara Eagle’s Autoerotix.” Pause Button, Issue 5 (September 2018)
“Pornography, Ectoplasm and the Secret Dancer: A Twin Reading of Naomi Uman’s Removed.” Screening the Past, Issue 43, Special Dossier: Dematerializing Absence in Film and Media (April 2018).
“The Virtual is Sensual: Dance’s Fascination with Augmented Reality.” The Dance Current, Volume 20, Issue 5, Ed. Emma Doran (September 2017): 36-41.
“’I’d Blush if I Could’: Intelligent Agents, Disembodied Cyborgs and The Problem of Gender.” Word and Text, Issue 6: Proto-Posthumanisms (December 2016): 95-113.
“#Authentic at All Costs.” Briarpatch Magazine, Ed. Tanya Andrusieczko, (January 2016): 8-11.
“Moving ‘Past Matter’: Challenges of Intimacy and Freedom in Spike Jonze’s her.” Artciencia, Vol. 8, No. 17 (2014): 1-6.
