‘“Let Me in Through Your Window:’ Dancing with Kate Bush and Hatsune Miku.” Regards Hybrides: Lo-Tech Creation and Popular Culture in Screendance. 2nd Edition, RIRH Biennale, Montréal, Canada (Accepted, publication forthcoming).

"Woven Magic: The ‘Secret Speech’ of Interactive Textiles.” Bloomsbury Encyclopedia of World Textiles, Vol. 10 (Textile Futures). Editor: Janis Jeffries. (Forthcoming, Spring 2023).

“Screen/Dance in the United States: Engaging Moving Bodies in Moving Pictures.” Co-authored with Pamela Krayenbuhl, Colleen Dunagan, Anthea Kraut, Brynn Shiovitz, and Sylvie Vitaglione. Jump Cut: A Review of Contemporary Media, No. 61 (Fall 2022).


Unmaking Galatea.” Dazibao Gallery, SESSION 24 (Spring 2020).

“Woven Magic: The ‘Secret Speech’ of Interactive Textiles.” Enchantment of Textiles Catalogue (2020).

“Animating the Kinetic Trace: Kate Bush, Hatsune Miku, and Digital Dance.” PUBLIC, Vol. 60: Biometrics (2020): 187-207.


“Posthuman Dance: Body Heat and Haptic Intimacy in ORA.” Culture Machine, Vol. 17: Thermal Objects
(Spring 2019
): 1-15.

“Not a Girl Dancing”: Gender, Spectacle and Disembodiment in the Work of Loie Fuller and Freya Olafson.” Archée (4 March 2019)


“Body of My Own”: the Digital Feminine in Mara Eagle’s Autoerotix.” Pause Button, Issue 5 (September 2018)

“Pornography, Ectoplasm and the Secret Dancer: A Twin Reading of Naomi Uman’s Removed.” Screening the Past, Issue 43, Special Dossier: Dematerializing Absence in Film and Media (April 2018).


“The Virtual is Sensual: Dance’s Fascination with Augmented Reality.” The Dance Current, Volume 20, Issue 5, Ed. Emma Doran (September 2017): 36-41.


“’I’d Blush if I Could’: Intelligent Agents, Disembodied Cyborgs and The Problem of Gender.” Word and Text, Issue 6: Proto-Posthumanisms (December 2016): 95-113.

“#Authentic at All Costs.” Briarpatch Magazine, Ed. Tanya Andrusieczko, (January 2016): 8-11.


“Moving ‘Past Matter’: Challenges of Intimacy and Freedom in Spike Jonze’s her.” Artciencia, Vol. 8, No. 17 (2014): 1-6.